src="http://www.mirrorlessons.com/wp-content/themes/mirrorlessons Going Tiny: Olympus 60mm Macro Review
MirrorLessons
M.Zuiko 60mm Macro

Date: 16/11/2013 | By: Heather

Going Tiny with the M.Zuiko 60mm f/2.8 Macro: A hands-on review and gallery

E-M1, 1/80, f/ 28/10, ISO 1250

Going Tiny with the M.Zuiko 60mm f/2.8 Macro: A hands-on review and gallery

Ever since I bought the Olympus Pen E-P5 as my main walk-around street camera, I’ve been not-so-secretly longing to try out the M.Zuiko 60mm f/2.8 macro lens. I love using the 12mm f/2 for wide-angle shots, and the image quality of the 45mm f/1.8 makes me quiver at the knees, but as a macro photography lover, I know that the 60mm f/2.8 would fulfil most of my everyday needs, not only for macro photography but for portraiture and even certain types of landscape photography as well.



Well, my dream came true when Olympus Europe kindly sent us a 60mm to test out for a week along with the new OM-D E-M1, 17mm f/1.8 and 75mm f/1.8. Feeling like a kid at Christmas, no sooner had we opened the box than I was happily snapping photos around the house. And after three days of squatting like a frog over flowers and lying against muddy banks to capture dead leaves to the confusion and amusement of those around me, I have come to the conclusion that anyone who has a Micro Four Thirds camera and loves shooting the little things in life is missing out by not having this lens in their bag. It is the perfect macro lens and here I’ll explain why.

E-P5, 1/400, f/ 10, ISO 400
E-P5, 1/400, f/ 10, ISO 400
E-P5, 1/60, f/ 7.1, ISO 400
E-P5, 1/60, f/ 7.1, ISO 400

The M.Zuiko 60mm f/2.8 Macro was the first macro lens ever released by Olympus for the Micro Four Thirds system. Capable of 1:1 magnification (or 2:1 on a full-frame sensor), it allows you to get extremely close to your subjects.

On the left side of the lens body, you’ll find a useful Focus Limiter Switch which, as the name suggests, allows you to confine your focal distance to three fixed ranges: 0.19-0.4m, 0.19-infinity, and 0.4-infinity. By using this switch, you are essentially telling the autofocus not to focus beyond the limits you’ve set. The switch also gives you the option to rapidly jump to 1:1 magnification from any focus distance.

On the top of the lens is a Magnification Factor Scale Indicator which allows you to gauge the distance between you and your subject and focus with precision according to the magnification you desire.

A few other noteworthy features include its weather-sealed body, its Zuiko Extra-Low Reflection Optical (ZERO) coating, and its ability to render a circular rather than oval bokeh.

The 60mm f/2.8 without the lens hood.
The 60mm f/2.8 without the lens hood.

Let me start by saying that shooting macro is a lot harder than it looks.

You need the perfect mix of patience, a steady hand, the eye of a hawk, and the talent for turning the insignificant into something beautiful. To become a really successful macro photographer, a steady tripod and external flash are also good to have on hand, though a tripod is not always necessary if your camera or lens has internal stabilisation.

Since I was using the Pen E-P5 and its 5-axis stabilisation, I felt quite confident that I could keep my subjects in focus as long as I stayed in bright sunlight with relatively fast shutter speed and an aperture between f/7 and f/10 where possible.

As it turned out, the 5-axis stabilisation worked a treat for shooting hand-held images at 1:1.3 magnification and above. When I switched the lens to the full magnification ratio of 1:1, however, it became much more difficult to control the focus, even with focus peaking activated. To give you an idea – my success rate with any magnification ratio higher than 1:1 was about 50%, while only a handful of hand-held shots at 1:1 ended up in focus. Since my overconfidence in the 5-axis stabilisation tricked me into leaving my tripod at home, I used flat rocks, benches and anything else I could find to take those highly magnified shots I so desired.

E-P5, 1/320, f/ 9, ISO 250
E-P5, 1/320, f/ 9, ISO 250 – After a full day of shooting, this was the only hand-held 1:1 magnification ratio shot where the subject (the fly) ended up perfectly in-focus.
olympus 60mm macro review
A 100% crop of the fly

Something I found myself continually using was the Focus Limiter Switch – let’s say that it isn’t just a pretty decoration placed on the lens to make it look professional! Knowing I could immediately switch to 1:1 after taking a landscape shot and vice versa was a great comfort, and encouraged me to take a variety of shots throughout the day, not just macro.

olympus 60mm macro review
E-P5, 1/15, f/ 7.1, ISO 400 – I decided to take a portrait of Mathieu just after doing some macro photography.
olympus 60mm macro review
E-P5, 1/160, f/ 7.1, ISO 400 – The 60mm is also a very interesting lens for architecture.

The AF was also lightning fast, which could only be expected from an M.Zuiko lens. Keep in mind that to achieve optimal AF performance when not in 1:1 magnification mode, it is recommended to keep the switch set to either 0.19-0.4m for close-up shooting or 0.4m-infinity for mid-range to distance shooting. If you set it to 0.19-infinity, you will notice that the AF takes longer to focus as it has a longer focal range to cover. As for 1:1 magnification, I found it much easier to stick with MF.

olympus 60mm macro review
E-P5, 1/400, f/ 2.8, ISO 400 – Shot using autofocus.

This lens also has a wonderful bokeh and the rendering is perfectly circular as you can see in the example below. For this reason, I would have no issue using this lens for portraiture as well.

olympus 60mm macro review
E-P5, 1/160, f/ 7.1, ISO 400

Sharpness is another aspect that blows me away with this lens. When you nail the focus, it really is pin-sharp. There really isn’t much more to say except that you can trust this lens to deliver superb results every time.

olympus 60mm macro review
E-P5, 1/1000, f/ 4.5, ISO 400 – Sharp pine needles looking, well, sharp!
olympus 60mm macro review
E-P5, 1/25, f/ 2.8, ISO 3200 – Any idea what this could be? :-)

You may have noticed that many of my shots were taken at 400 ISO and above. This is because we were in an area shrouded in the shade of trees. This made it difficult to find areas openly exposed to sunlight. However, I wouldn’t recommend high ISO levels for macro shooting as the noise can reduce the sharpness and detail of your images as seen in the example below. An external flash such as Mathieu’s Olympus FL-600R can help you light up your subjects in these situations.

olympus 60mm macro review
E-P5, 1/200, f/ 5.6, ISO 3200

Last week, we also tried out the Panasonic Leica 45mm f/2.8 Macro for an afternoon. We didn’t have the same amount of time with this lens as we did with the 60mm, but we noticed that it had very nice colour rendering and a lovely bokeh. That said, I feel that the M.Zuiko 60mm, with its focal distance switch and the additional focal length, is a more appealing option for Micro Four Thirds users.

In a few days, we will have to return the 60mm to its rightful owners, but I am now 100% convinced that I want to add this lens to my collection when the time is right. After all, spring and the appearance of the butterflies is only five months away! :-)

[AMAZONPRODUCTS asin=B0096WDK0K]

Like our blog? Be sure to follow us on Facebook and Twitter! If you’re planning on buying camera gear, you can check out Amazon and Adorama. Prices remain the same for you, but a small percentage of your purchase value is valued back to us. Thank you!

About the author: Heather Broster

Heather Broster was born in Canada, has lived in Japan and Italy but currently calls Wales home. She is a full-time gear tester at MirrorLessons. You can follow her on Google+, Twitter or Facebook!

  • Heather

    Wow, that’s an incredible shot. The detail in the feathers is impressive, as is the fact you got so close!

  • Stuart

    Heather, thanks for this review. I recently borrowed the 60mm from my friend and got this shot of a hummingbird nest in my backyard. Thanks to the E-M10 and the wifi:

  • http://alphawhiskey.slickpic.com/photoblog Alpha Whiskey Photography

    Thank you Heather. Just an avid photographer full stop :) On my blog you’ll find all manor of subjects shot with the EM5, from landscapes to cityscapes to architecture to wildlife.

    Thank you for all your hard work on this excellent resource.

    Warm Regards,
    AW.
    http://alphawhiskey.slickpic.com/photoblog

  • Heather

    Wonderful work! I can’t wait to get my hands on the 60mm I ordered a few weeks ago. It’s supposedly on its way to our local camera store, just in time for butterfly season! Are you an avid butterfly photographer?

  • http://alphawhiskey.slickpic.com/photoblog Alpha Whiskey Photography

    Got some neat results with my Oly 60mm Macro. Especially getting closer and manually focusing, which was apparently much easier than my friend’s equivalent set up with her DSLR and bigger 100mm macro lens.

    http://alphawhiskey.slickpic.com/photoblog/post/ButterfliesInCloseUp

BACK TO TOP
Disclaimer & Copyright Notice

The owners of this website, Heather Broster and Mathieu Gasquet, are participants in the Amazon Services LLC Associates Program, B&H Photo Affiliate Program, eBay Partner Network, Macphun Affiliate Program, Peak Design Affiliate Program, The Inspired Eye Affiliate Program, SmugMug Affiliate Program and Mediterranean Photo Tours Affiliate Program, all of which are affiliate advertising programs designed to provide a means for sites to earn advertising fees by advertising and linking MirrorLessons (mirrorlessons.com) to Amazon, B&H Photo, eBay, Macphun, Peak Design, The Inspired Eye, SmugMug and Mediterranean Photo Tours properties properties. They are also members of Google AdSense. AdSense publishers must have and abide by a privacy policy that discloses that third parties may be placing and reading cookies on your users’ browsers, or using web beacons to collect information as a result of ad serving on your website.

To see more information, visit our full Disclaimer page. Thank you!

© Heather Broster/Mathieu Gasquet and MirrorLessons, 2016. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Heather Broster/Mathieu Gasquet and MirrorLessons with appropriate and specific direction to the original content.
MENU
×