panasonic lumix gh3 review

N.B.: only two images aren’t shot with the GH3 in the video below. There are actually JPGs of paintings inserted into the video (min 1.36 and 2.09).

My first experience with large sensor cameras didn’t start with HDSLRs unlike many of my colleagues in the filmmaking industry. Rather, it began with Micro Four-Thirds and the Panasonic AF101. At the time, it was the only alternative to DSLRs. I still use that camera for my work because it has all the proper features you’d want from a professional camcorder: XLR inputs, ND filters, and so on. But now the AF101’s sensor is old (the same as the GH1), and Panasonic doesn’t seem to be planning any substantial updates for this camera at the moment.

I will admit that I am not much of a skier, and thus, not very Canadian in the eyes of most. My first memory of skiing is of crashing into a fence, and subsequently a garbage bin at the age of 14. It is also my fondest memory, not for the pain it caused but for the amusing story it has allowed me to tell years after the fact.

Not wanting to put myself in similar danger on the treacherous slopes of the Alps, I happily traded the opportunity to ski with fellow MirrorLessons writer Mathieu and his cousin Nicola for a cold and snowy day out with the Panasonic Lumix GH3, photographing skiers and snowboarders with much more talent than myself! The challenge was to limit myself to the Artistic Modes on the camera. I wanted to see which of these modes could best capture the exciting ambiance of the Alps.

panasonic lumix gh3 review

In-Depth Review of the Panasonic GH3 for Video: Episode 1 – Chaos&Cosmos

Skiing in the Italian Alps with the Panasonic Lumix GH3 | Testing the Artistic Modes